Argyris and Kyriaki observing the 4D scanning trials at CERTH’s ITI lab for Dance Walk.
Consume design palette tests by Vasiliki Syrma and Argyris Angeli for Dance Walk.
Alekos Bourelias working on Dynosus’ mask/hat for Dance Walk.
Sofia Voulala working on Dionysus’ make up (Dimitra Mertzani) for Dance Walk.
An interactive video projection system programmed by Eleni Xinogala for “Loom”
Jeph Vanger composing music love during a rehearsal for “Loom”
Sewing strings for performative structures used in “Loom”
Workshop and rehearsal for “Loom”
Recording session with Jeph Vagner capturing the sounds produced through the analogue projection techniques, for his sound composition.
Preliminary sketch for analogue projections’ system
Mood boards and costume designs for “XYZ/s extended”, “Res extensa” and “Ithaca: upon every arrival”
Sketches for performative costumes
Sketches for choreography with performative costumes
Moulding the body parts of the performer for “Ithaca: upon every arrival”
Plaster body moulds for “Ithaca: upon every arrival”
Installation study for “Bein' quasi”
Concept development for “Bein' quasi”
Sound score for “XYZ/s extended”, Act 3
Screen shot of unprocessed footage for the body untaping projections used at “Peel”
Behind the scenes at the green screen filming studio with members of the New Movement Collective
Screen shot of Jeph’s sound composition for “Ithaca: upon every arrival”
Visual score for “XYZ/s extended” Act 3
Wardrobe for “XYZ/s extended” and “Res extensa"
Mixalis’ rehearsal with performative structure for “ANOSIS” at Michaelis Dance Theatre
Get in Déda’s main stage for “XYZ/s extended”
Wooden joint designed and fabricated by AAIS for performative structures used in “Res extensa”, “XYZ/s extended” and “Superposition”
